Katharine Coleman MBE
G L A S S E N G R A V E R
what's on show where
Work in public collections
Videos & publications where work is illustrated
Katharine Coleman (b.1949, Sutton Coldfield UK) is a freelance glass engraver and designer. She was taught point, drill and copper wheel engraving on glass by Peter Dreiser at Morley College, Lambeth from 1984-7 which she continues to explore in her new workshop on the Isle of Dogs.
Two themes have long interested Katharine – the illusion of a suspended second vessel inside a larger one, which is the effect of both reflection and refraction of an engraved outer surface onto the inside surface of a thick walled clear glass vessel; also the sculptural beauty of simple natural objects, particularly the humble ones found in everyday life. She is greatly influenced by the rigour and refinement of Japanese design and Japanese respect for natural, ordinary objects as being worthy of artistic interpretation. The reflection of the engraving on the outside of the vessel is seen as a miniature inner vessel, although there is nothing but clear glass there.
Katharine's work requires close collaboration with glassblowers Potter Morgan Glass. She engraves on clear lead crystal forms, which have been overlaid with coloured glass, blown to her design. Once blown and annealed, the top surface of the glass is cut away and polished, usually with the assistance of Steve Frey at Cold Glass Workshop, so one can see inside the piece. The glass is then cut and engraved on the outside surface. This engraved decoration reflects and refracts onto the inner surface, creating the illusion of one body floating inside another. These optical properties of glass fascinate Katharine; she feels that they provide a rich world for the artist.
Katharine's work has been exhibited widely in the UK and Europe, USA and Japan and can be seen in many public collections (see below) and publications. Katharine feels strongly that wheel engraving on glass no longer needs to be traditional in style or content, though she prefers traditional techniques, using lathe-mounted copper, diamond and stone wheels, to obtain the crispness, textures and fine finish, so much more difficult to achieve with sandblast and drill.
regularly teaches glass engraving in the UK:
drill, point and wheel engraving on glass at Morley College, London www.morleycollege.ac.uk,
term times on Monday mornings; from time to time she also teaches short courses in wheel, drill, sandblast and point engraving
Katharine regularly teaches glass engraving in the UK: drill, point and wheel engraving on glass at Morley College, London www.morleycollege.ac.uk, term times on Monday mornings; from time to time she also teaches short courses in wheel, drill, sandblast and point engravingat the Bild-Werk Frauenau Summer Academy in Germany, recently in July 2016 www.bild-werk-frauenau.de and at the Corning Museum Studio (next course: 25/06 - 08/07 2018). She was invited to demonstrate engraving on glass on the opening day of the GAS Conference 2016 at The Studio at Corning Museum, USA in June 2016 and to sit on the 2017 jury for the 9th International Glass Art Prize Rheinbach. Katharine is very pleased to have been invited to the joint conference of the Australian Glass Society and the New Zealand Glass Society at Whanganui, New Zealand, in February 2019.
Awarded an MBE for services to glass engraving in 2009, Katharine was elected an Honorary Liveryman of the Worshipful Company of Glass Sellers of London and a Freeman of the City of London in June 2015. She is also an elected member of Contemporary Applied Arts, a Fellow of the Guild of Glass Engravers (2001 - 2015), a Brother of the Art Workers Guild, and member of The Glass Circle, Contemporary Glass Society and The Glass Association.
Katharine is delighted that the Glasmuseum Frauenau, Staatliches Museum zur Geschichte der Glaskultur has recently acquired her bowl 'But Where's MY Prince?', following an exhibition by the Glass Engraving Network of engraved glass inspired by the Grimm Brothers at Immenhausen, near Kassel, birthplace of the Grimm Brothers. In 2013, Katharine became a co-founder of this lively international network of glass engravers who have exhibited widely throughout Europe.
A recent in depth online interview in January 2018 by Deborah Blakeley of ZoneOneArts may be of interest: http://zoneonearts.com.au/katharine-coleman-mbe/ .
2015 People's Prize, British Glass Biennale 2015, Stourbridge, awarded by Warm Glass plc
2015 Hon Liveryman of the Glass Sellers of London, Freeman of the City of London
2013 2nd Prize TGK 2013 Competition "Fun with Colour" Germany
2009 MBE for services to glass engraving , New Years Honours List
2008 The Pearsons Prize for Best Use of Glass in Engraving , sponsored by Pearsons Glass Ltd and Ed Hoy's International, USA.
2008 Second Prize at a juried exhibition of work at the 5th International Symposium of Engraved Glass at Kamenicky Senov, Czech Republic, September 2008
2007 The Glass Sellers Prize for Engraving on Glass (a new prize)
May -June 2007 6 weeks Residency at Northlands Creative Glass Centre to explore forming and slumping glass with kilns at Lybster, Wick, Scotland, sponsored by The Scottish Arts Council and Bulls Eye Glass.
2006 Honorable Mention (prize), the Coburg Glass Prize 2006, Kunstsammlungen der Veste Coburg, Germany (see www.kunstsammlungen-coburg.de for more information)
2005 March Crafts Council exhibition and research visit to Japan : Surface, Structure, Shape at Axis Gallery, Tokyo funded participant
2004 Adrian Sassoon Award for The Arts of the Kiln, awarded at Chelsea Crafts Fair (see www.craftscouncil.org.uk report on Chelsea 2004)
2004 Runner-Up Prize for Art on Glass, awarded by The Worshipful Company of Glass Sellers of London
June 2004 Month's Residency at Northlands Creative Glass Centre at Lybster, Wick, Scotland by The Jerwood Foundation
Crafts Council Outward Mission to Japan 2004, funded participant
2003, a finalist for The Jerwood Applied Arts Prize - Glass. This is awarded every five years for glass
2002 and 2004 Runner-Up Prize for Art on Glass, awarded by The Worshipful Company of Glass Sellers of London
1986 Best First Time Exhibitor Trophy, The Worshipful Company of Glass Sellers of London
Work in Public Collections
Alexander Tutsek Stiftung, Munich
Dudley Museums, prev. Broadfield House Glass Museum, Kingswinford, Stourbridge
Birmingham City Art Gallery & Museum (Keatley Trust)
Cheltenham Art Gallery & Museum
Corning Museum of Glass, USA
Ernsting Stiftung, Coesfeld, Germany
Fitzwilliam Museum, Cambridge (Keatley Trust)
Glass Museum, Kamenický Šenov, Czech Republic
Glass Museum Frauenau, Bavarian State Glass Museum, Germany
Dan Klein & Alan J. Poole (Private Collection) @ National Museums Scotland. Edinburgh
Kunstsammlungen der Veste Coburg, Germany
MUDAC, Museum of Design & Contemporary Applied Arts, Lausanne, Switzerland
de la Real Fabrica de Cristales de La Granja, Segovia, Spain
National Glass Centre, Sunderland
National Museums of Northern Ireland
National Museums of Scotland, Edinburgh
Northlands Creative Glass Centre, Lybster
Norwich Castle Museum & Art Gallery
Shipley Art Gallery, Gateshead
Victoria & Albert Museum, South Kensington, London
Exhibitions - see previous web page
where work is illustrated
The Art of the Wheel -
Katharine Coleman, a short film alongside the exhibition
celebrating Peter Layton's 80th birthday in July 2017. https://www.youtube.com/watch?v=gJut8MiPkMo
Connections, exhibition catalogue, Contemporary Glass Society selected exhibition, May 2016 with Introduction by Christina Jansen and Foreword by Julia Stephenson, Chairman of the Contemporary Glass Society. ISBN: 978-1-910267-36-3
All the Year Round, fully illustrated solo exhibition catalogue with notes and foreword by Rose Watban, senior curator at the National Museums of Scotland, published by The Scottish Gallery, 16 Dundas St, Edinburgh, November 2015, 36pp. ISBN 978-1-910267-28-8 www.scottish-gallery.co.uk
Drawing - An expressive gesture with the advantage of permanence, museum catalogue for the National Glass Centre at the University of Sunderland, Liberty Way, Sunderland SR6 0GL, 2015
Gravur on Tour, group touring exhibition of Modern European Glass Engraving, published by Glasmuseum Frauenau, 72pp. www.glasmuseum-frauenau.de
2004,2006,2008,2010,2012,2015 British Glass Biennale catalogues. www.ifg.org.uk
Rose Watban (ed.): A Passion for Glass,The Dan Klein & Alan Poole Private Collection of Modern Glass, pp.61-62, 322 National Museums of Scotland, 2015 ISBN 978 1 905267 83 5
Coburger Glaspreis 2014, exhibition catalogue pp.105,239, Schnell & Steiner GmbH, 2014 ISBN 978-3-7954-2854-9
UK Glass, exhibition catalogue (06/04/-14/09/2014), pp.6-7, Glazenhuis, Lommel, Belgium, 2014 ISBN 9789490417055
- Katharine Coleman - Une Ville Dans Un Vase” in Architectural
Digest - France, no.113, Dec 2012 Jan 2013, p.74 of an
article “Les 100 Plus Beaux Cadeaux du Monde”, . Illus.
Thierry de Beaumont, Katharine Coleman Chez Porée, Glass City Blues, cover and p.3 in Verre & Création, Contemporary Glass newsletter no.69, Dec 2012 www.verreetcreation.com
Katharine COLEMAN, fully illustrated exhibition catalogue of her solo exhibition 2012. Galerie Hélène Porée, Paris, France www.galerie-helene-poree.com
Eva-Maria Fahrner-Tutsek: In the Name of Love, Fully illustrated exhibition catalogue for exhibition of the same name, Feb – Dec 2012. Kerber Verlag, Bielefeld. ISBN 978-3-86678-589-2
Rose Watban: Katharine Coleman, New Glass/Neues Glas Winter 2011 (4/11), pp. 40-45
Martine Knoppert: Glasbewerken, (in Dutch) De Groot Drukkerij, Goudriaan, Netherlands, 2011, ISBN: 978 90 816942 1 6
R & R - Residencies and Retreats for Contemporary Makers, exhibition brochure produced by curator Amanda Game and Contemporary Applied Arts, February 2011
De Smaak van Glas- The Taste of Glass, exhibition catalogue and essays on the concept of the taste of glass and taste in glass, fully illustrated, as a participating artist, published 2010 by Jeroen Maes, ISBN Ean: 9789490417017
Remarkable Glass, exhibition catalogue as a participating artist, published by Contemporary Applied Arts, 2010 ISBN 978-0-906420-06-5
Katharine Coleman, fenêtres sur cristal, feature by Thierry de Beaumont, la revue de la céramique et du verre,, no 169, Nov-Dec 2009, pp.52-55
Charles R Hajdamach: 20th Century British Glass , Antique Collectors Club, 2009
Carolyn Genders: Pattern, Colour & Form , A&C Black, London June, 2009
Vessels within Vessels, feature by Dan Klein, pp. 49-53 of Craft Arts International, 74 (publ. November 2008) Australia
Craft & Design (previously The Craftsman) magazine feature, pp.22-23, June/July 2007
Peter Dreiser and Jonathan Matcham: Techniques of Glass Engraving, 2nd edition, A&C Black London 2006
J Neiswander & Caroline Swash: The Intelligent Layman’s Stained & Art Glass, London 2005, ISBN 0 947798 65X
Reflections - a decade of North Lands Creative Glass, exhibition catalogue, fully illustrated, 77pp, North Lands Creative Glass, Quatre Bras, Lybster, Caithness KW3 6BN
British Glass Biennale 2006, exhibition catalogue, fully illustrated, 141pp, ISBN 0-9547573-1-9
Coburger Glaspreis 2006, exhibition catalogue, fully illustrated, 381pp, ISBN 3-87472-086-1
Made for You, DVD of six makers, all members of the Gloucestershire Guild of Craftsmen, 2005
Inspirations, interiors magazine feature, April 2005
21st Century British Glass, illustrated catalogue of the Dan Klein exhibition at Daniel Katz Gallery, Bond Street, London, January 2005 ISBN 0 9545058 2 4
Glashaus magazine, 4/2004 ISSN 1435-8565 K49413, review of Heroes of the Wheel exhibition at Broadfield House Glass Museum by Gernot H.Merker, pp.4-5
July/Aug 2004 Crafts magazine feature by Ruth Pavey “Cutting It Fine”, 5 pages, illustrations, pp 30-35.
Glass Now profiling the eight finalists of the Jerwood Applied Arts Prize 2003, produced by Illuminations, VHS and PAL format video and DVD (details from www.illumin.co.uk or firstname.lastname@example.org
Jerwood Applied Arts Prize 2003 – Glass exhibition catalogue, available from the Crafts Council, 44a Pentonville Road, London N1 9BY Tel: +44 (0)207 278 7700 ISBN Number: 1-903713-11-0
New Glass magazine, Autumn 2003, review of Jerwood Exhibition by Dan Klein
March 2003 review by Dan Klein in Crafts magazine of Guild of Glass Engravers' Cork St clearly inspired 2002 exhibition 2002, including illustration of work by KC.
Lettering on Glass by Charmian J Mocatta, published by A&C Black, 2002
British Studio Glass 1960 – 2000, published by Shire Books, 2002
New Glass Review 2001, slide selected for illustration.
& M Goodearl: International
Contemporary Engraved Glass, publ. by The Antique
Collectors Club, 1999, ISBN no.185149307 7
S & S Palmer: Glass Engraving – Drill Techniques, published by Batsford Press, 1988
From September 2017 Glass Engraving, a weekly Monday morning course at Morley College, Westminster Bridge Road, London SE1. Point, drill and wheel engraving on clear and colour overlaid glass. Talks and individual tuition. Suiting all levels. Contact: www.morleycollege.ac.uk
13-16 March 2017 Glass Engraving - Old Techniques, New Insights, a residential course at West Dean College, Chichester. Point, drill and sandblast on clear and colour overlaid glass. Talks and individual tuition. Suiting all levels. Contact: www.westdean.org.uk
24/06 - 08/07 2018 (provisional dates) Glass Engraving - Old Techniques, New Insights, a short course at The Studio, Corning Museum of Glass, NY USA. Wheel (copper, diamond and stone), point, drill and sandblasting on clear and colour overlaid glass. Talks and individual tuition. Suiting all levels. Enrolment is only available in next year's program.
this page was last updated July 2017
graving with the
Engraving with the Copper Wheel Lathe
This picture shows me at work, cutting lines, using a lathe-mounted fine line wheel, on "Forest Fire", a double overlaid crystal bottle.
The belt-driven lathe carries a range of inter-changeable spindles, each mounted with a wheel made from copper of varying width, diameter and profile, to suit the cut. These wheels are made from copper scrap, cut with a jeweller's saw, a hole is drilled in the centre and the wheel placed on the steel spindle. The end of the protruding steel spindle is then hammered over to form a simple rivet while the lathe turns - a moment when even the most experienced engraver holds his breath!
The cutting is executed by applying a slurry of carborundum grit, oil and paraffin to the turning copper wheel. The soft copper carries the slurry well, and is easy to reprofile using a sharp mild steel blade. Coarse grit is used for rapid and large scale excavation, fine grit for more polished, delicate work.
The engraver builds up a collection of spindle mounted wheels to suit his/her needs. Some curves may need several different line wheels alone to execute. Like other wheel engravers, I use diamond and fine stone wheels mounted on spindles as well.
Polishing is done
using a cork wheel mounted on a screw headed spindle, using a slurry of
medium pumice, followed by fine polishing with cerium oxide applied to a
hard felt wheel, also mounted on a similar spindle.
, 'Forest Fire', 20cm high bottle in lead crystal, with green over orange glass overlay, blown to my design by Neil Wilkin, then cut, polished and wheel engraved, 2000
m high green over orange Koi III, 20cm high black on opaque red overlaid glass vase, blown to my design by Neil Wilkin, cut, polished and wheel engraved 2004n to my design by Neil Wilkin, cut, polished and wheel engraved 2000
Orange III', acquired by the V& A Museum, South Kensington 2006
'City of Glass', acquired by Broadfield House Glass Museum, 2004
'Ytsuri II', acquired by Cheltenham Art Gallery and Museum, 2003